The intervention and lives of adult females in the Colombian town and the clip period of the 1950 ‘s, makes the reader aware of the rough world of the agony adult females.
The reader can merely sympathize with society ‘s intervention of adult females ; nevertheless, experience bitterness towards the manner in which adult females were ‘reared to acquire married. ‘ The manner in which the Vicario sisters were brought up is flooring to the reader but non surprising, the misss were taught ‘screen embellishment, to run up by machine, weave bone lacing, wash and Fe, make unreal flowers and fancy confect ‘ ( lines 3 and 4 ) , the writer ‘s purposes of naming these accomplishments emphasises the early development of cultural outlooks on adult females, instruction is unneeded. The transition gives the reader an penetration into the development of the Vicario siblings, particularly how the Vicario sisters were brought up to ‘suffer ‘ , something any adult male would be happy with to hold them as married womans. The character of Angela Vicario is the cardinal figure of the novel and of the tragic events. As Angela is the lone character who knows whether or non Santiago Nasar was guilty of taking her virginity, which still lies in inquiry.From the beginning of the transition there is an apparent divide between the developments of the Vicario siblings because it is acceptable in South American civilization, something the reader may non be accustomed to. The usage of short, crisp sentences such as ‘The brothers were brought up to be work forces. The misss had been reared to acquire married ‘ ( lines 1 and 2 ) , emphasises in an about ‘matter of fact ‘ manner that this was what Colombian civilization required and it can non be questioned.
The consequence that this has on the reader is that they become cognizant of the Colombian civilization that Marquez wants to portray. What is more dramatic is the usage of these short sentences at the beginning of the transition which lures the reader straight off into the civilization, ‘the brothers were brought up to be work forces. The misss had been reared to acquire married ‘ ( lines 1 and 2 ) .
The reader is introduced to the early development of this word picture of male high quality, and inevitableness of the result of adult females in life, due to what they have grown up to believe and esteem, this can non be argued against.The tone of the transition becomes affecting halfway through, the storyteller thinks about the married womans of the Vicario brothers who are unable to ‘break the circle ‘ , which describes the inevitableness of these traditions keeping the females in a changeless conflict with their cultural outlooks, which they can non get away unless that circle is broken. The married womans of the brothers ‘were predisposed to happen concealed purposes in the designs of work forces ‘ ( lines 20 and 21 ) , so they were besides brought up with the traditions and values as the Vicario sisters were brought up with. The adult females were taught to happen the purposes work forces had for adult females, so it can be argued that the Vicario married womans were oppugning the outlooks of their civilization, and what work forces truly needed from their adult females, as it seems it was non love ; a disclosure to the rigorous Colombian values that the occupants of the town were following, such as honor which lead up to the slaying of Santiago Nasar.Angela is described by the storyteller ‘s female parent as being ‘like the great Queenss of history ‘ ( lines 23 and 24 ) due to the manner she was born with the ‘umbilical cord around her cervix ‘ ( lines 24 and 25 ) . This superstitious notion reemphasises the beliefs of the civilization, by comparing Angela to the great Queenss of history, is merely because she is to be wed to the affluent San Roman, a adult male who clearly chose Angela because of her beauty, farther doing Angela lucky in both matrimony proposals and her beauty, or so it seems for the clip being. For the characters of the book, the matrimony proposal seems merely like a royal matrimony destined for great things, particularly for the Vicario household.
The author ‘s purpose of comparing Angela to such of import figures is to do the reader aware of Angela ‘s beauty and importance of this matrimony. As Angela is the ‘prettiest of the four ‘ ( line 22 ) , she seems the lone adult females good plenty for the affluent San Roman. This superficial position of beautiful adult females being successful and eligible for high position contributes to the civilization of the text and the controversial act of the alleged unfaithfulness.
An knowing sarcasm of the description of the ‘umbilical cord wrapped around [ Angela ‘s ] cervix ‘ is shown when the storyteller describes Angela as holding a ‘hopeless air ‘ , underscoring the battle to ‘breath ‘ because of the umbilical cord smothering her around her cervix. However, it can besides be argued, the deficiency of independency Angela has of her ain life and organic structure, besides dry due to the alleged unfaithfulness in which she could non command her organic structure from exposing mark of this. Marquez ‘s purpose in utilizing these two similar descriptions but in different contexts is to depict the dependance that Angela has upon her life and the deficiency of control adult females in Colombian civilization have.The storyteller repeats throughout the transition and the full text Angela ‘s character as ‘poor ‘ , nevertheless it can be argued that this is non ever financially but spiritually excessively. This may be due to Marquez ‘s knowing method in exposing the ‘poor ‘ lives that adult females live with no aid and the small opportunity that is available to get away this manner of life and the result of their intent for being a adult female. Besides, the usage of the words ‘destitute ‘ and ‘a poorness of spirit ‘ underscore the deficiency of emotions and facial look that Angela shows peculiarly after the slaying, old ages subsequently which is when the storyteller meets her.
In relation to the civilization, it signifies the deficiency of belief that Angela may hold of her civilization and faith, particularly when utilizing the word ‘spirit ‘ which Angela does n’t hold much of. This emphasises non merely the deficiency of belief Angela has, but the hopelessness she feels holding been brought up with the limitations she feels with being a adult female. The storyteller describes Angela as holding a ‘hopeless air and a poorness of spirit that augured an unsure hereafter for her ‘ , which in retrospect for the reader, is right for the storyteller to hold assumed.
The ‘hopeless air ‘ that Angela possesses is the loveless life that she leads now ; she had non married since the slaying and hence leads an ‘uncertain hereafter ‘ as to her life now. The significance of the quotation mark is that it represents the hopelessness that all adult females of the Colombian civilization endure ; the hopeless opportunity of holding independency and freedom from a preponderantly patriarchal society. This usage of metaphors adds the semblance of a adult female with a deficiency of belief or hope, taking a life that has already been decided for her, an observation smartly described by the storyteller to assist the reader understand the religious facet of Angela ‘s character.
The usage of memory and unwilled flashbacks to the Vicario siblings ‘ childhood propels the reader into believing about the inevitableness of how the characters grew up in the Colombian civilization and the result of this upbringing to what is expected of them. What is dry is the rebellion against this civilization which causes the unfaithfulness but the alibi of honor which leads to the slaying of Santiago Nasar.